From this 1998 New Yorker piece by David Halberstam:
In 1995, after Jordan returned to basketball from his year-and-a-half-long baseball sabbatical, he spent the summer in Hollywood making the movie “Space Jam,” but he demanded that the producers build a basketball court where he could work out every day. Old friends dropping by the Warner lot noticed that he was working particularly hard on a shot that was already a minor part of his repertoire but which he was now making a signature shot––a jumper where he held the ball, faked a move to the basket, and then, at the last minute, when he finally jumped, fell back slightly, giving himself almost perfect separation from the defensive player. Because of his jumping ability and his threat to drive, that shot was virtually unguardable.
Currently picturing Michael Jordan shooting thousands of fadeaways in his Tune Squad uniform.